Is it sacrilege to declare that the best-looking cinéma set in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in relax Chagrin and shards of light as sharp https://communautdartistes48764.wssblogs.com/32711517/sur-films